![]() ![]() The chords above are in the B flat major scale. Then, you need to use the major, minor, or diminished spellings depending on what the quality of the chord you're trying to create is. However, you need to ensure you are always using the major scale of the note you're trying to work out. You can use this rule for every other chord. Take the C major scale, count the 1 note (C), then the 3 note and move it a semi-tone down (Eb), then the 5 note (G). Let's do a quick chord construction to understand this better… So, if we take the 3rd chord – it's a C minor chord, so you take the minor spelling (1, b3, 5) listed above, but use the C major scale, because the root note of the chord is C. To find the chords, you just plug the correct spelling into the root note major scale of what you're trying to find. We are going to show you exactly how to build each chord using chord spellings. For those of you that don't, don't worry. Tchaikovsky's Manfred Symphony in B minor ends in B major.Those of you that know your chord shapes will be able to play the B flat major chord scale now. ![]() The "Tuileries" movement from Mussorgsky's Pictures at an Exhibition is in the key. The second movement of Beethoven's Piano Concerto No. Brahms also wrote the slow movement to his Second Symphony in B major, as well as the fourth and last piece of the Ballades, Op. 8, is in B major, though the piece ends in B minor. The aria " La donna è mobile" from Verdi's opera Rigoletto is in the key, as is the " Flower Duet" from Lakmé. įew large-scale works in B major exist: these include Haydn's Symphony No. You can download the audio file.Īlthough B major is usually considered a remote key (due to its distance from C major in the circle of fifths and fairly large number of sharps), Frédéric Chopin regarded its scale as the easiest of all to play on the piano, as its black notes fit the natural positions of the fingers well as a consequence he often assigned it first to beginning piano students, leaving the scale of C major until last because he considered it the hardest of all scales to play completely evenly (because of its complete lack of black notes). Audio playback is not supported in your browser. ![]()
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